Poem 4.3: "Animals," Frank O'Hara

Frank O'Hara

    ANIMALS
               
               
       Have you forgotten what we were like then
       when we were still first rate
       and the day came fat with an apple in its mouth
     
       it's no use worrying about Time
       but we did have a few tricks up our sleeves
       and turned some sharp corners
     
       the whole pasture looked like our meal
       we didn't need speedometers
       we could manage cocktails out of ice and water
     
       I wouldn't want to be faster
       or greener than now if you were with me O you
       were the best of all my days

(1950)

Poem 4.2: "People Who Died," Ted Berrigan

Ted Berrigan

"People Who Died," at the Poetry Foundation.

Berrigan's poem, despite its [obs.], projects a sensibility that is [1], [2], [3], and [4].

AE Housman's "To an Athlete Dying Young" has a/an [inference adj. inference noun], finding consolation in [   ].

Poem 4.1: "To an Athlete Dying Young," A.E. Housman

To an Athlete Dying Young
BY A. E. HOUSMAN
The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.

Today, the road all runners come,
Shoulder-high we bring you home,
And set you at your threshold down,
Townsman of a stiller town.

Smart lad, to slip betimes away
From fields where glory does not stay,
And early though the laurel grows
It withers quicker than the rose.

Eyes the shady night has shut
Cannot see the record cut,
And silence sounds no worse than cheers
After earth has stopped the ears.

Now you will not swell the rout
Of lads that wore their honours out,
Runners whom renown outran
And the name died before the man.

So set, before its echoes fade,
The fleet foot on the sill of shade,
And hold to the low lintel up
The still-defended challenge-cup.

And round that early-laurelled head
Will flock to gaze the strengthless dead,
And find unwithered on its curls
The garland briefer than a girl’s.

Poem 3.3 "To a Daughter Leaving Home," Linda Pastan

"To a Daughter Leaving Home"

Linda Pastan

When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.

Poem 3.2: "The Summer I Was Sixteen," Geraldine Connolly

"The Summer I Was Sixteen," Geraldine Connolly

The turquoise pool rose up to meet us,
its slide a silver afterthought down which
we plunged, screaming, into a mirage of bubbles.
We did not exist beyond the gaze of a boy.

Shaking water off our limbs, we lifted
up from ladder rungs across the fern-cool
lip of rim. Afternoon. Oiled and sated,
we sunbathed, rose and paraded the concrete,

danced to the low beat of "Duke of Earl".
Past cherry colas, hot-dogs, Dreamsicles,
we came to the counter where bees staggered
into root beer cups and drowned. We gobbled

cotton candy torches, sweet as furtive kisses,
shared on benches beneath summer shadows.
Cherry. Elm. Sycamore. We spread our chenille
blankets across grass, pressed radios to our ears,

mouthing the old words, then loosened
thin bikini straps and rubbed baby oil with iodine
across sunburned shoulders, tossing a glance
through the chain link at an improbable world.


from Province of Fire, 1998
Iris Press, Oak Ridge, Tenn.

Poem 3.1: "History of Desire," Tony Hoagland

When you're seventeen, and drunk
on the husky, late-night flavor
of your first girlfriend's voice
along the wires of the telephone

what else to do but steal
your father's El Dorado from the drive,
and cruise out to the park on Driscoll Hill?
Then climb the county water tower

and aerosol her name in spraycan orange
a hundred feet above the town?
Because only the letters of that word,
DORIS, next door to yours,

in yard-high, iridescent script,
are amplified enough to tell the world
who's playing lead guitar
in the rock band of your blood.

You don't consider for a moment
the shock in store for you in 10 A.D.,
a decade after Doris, when,
out for a drive on your visit home,

you take the Smallville Road, look up
and see RON LOVES DORIS
still scorched upon the reservoir.
This is how history catches up—

by holding still until you
bump into yourself.
What makes you blush, and shove
the pedal of the Mustang

almost through the floor
as if you wanted to spray gravel
across the features of the past,
or accelerate into oblivion?

Are you so out of love that you
can't move fast enough away?
But if desire is acceleration,
experience is circular as any

Indianapolis. We keep coming back
to what we are—each time older,
more freaked out, or less afraid.
And you are older now.

You should stop today.
In the name of Doris, stop.